ISSUE 30 - DECEMBER 2024


CONTENTS
Dan Beachy-Quick: “If a voice can be thought of as a ritual, a life can be considered an epic—and I wanted to offer an ordering of these poems that give some sense of that epic journey any given life is, one that leaves us as it leaves most heroes, limping on a wounded foot.” (A Note on the Translation of Wind-Mountain-Oak: The Poems of Sappho)

Eloise Stonborough: We are writing in a tradition which privileges the impersonal, the objective, and the rational. How can one reject the “I” when even to say “I am a woman, I am a lesbian, and I am a poet” can seem impossible? To write personally as a woman is to be “confessional” but a man is “insightful” or “soul-searching.” Poetry does not have to be political to be a political act. I believe we are obligated as queer women to speak out and to work to have our voices enter the cultural debate. (Ms.)

Adrienne Rich: “Poetry is above all a concentration of the power of language which is the power of our ultimate relationship to everything in the universe.” (On Lies, Secrets, and Silence)

Srikanth Reddy: “Everything about poetry is strange to me, including the simple fact of its existence.”

Jill Johnston: “Man is completely out of phase with nature. Nature is woman. Man is the intruder. The man who re-attunes himself with nature is the man who de-mans himself or eliminates himself as man.” (Lesbian Nation)

Virginia Woolf: “And the poem, I think, is only your voice speaking.” (The Waves)

Adrienne Rich: “Women have often felt insane when cleaving to the truth of our experience. Our future depends on the sanity of each of us, and we have a profound stake, beyond the personal, in the project of describing our reality as candidly and fully as we can to each other.” (On Lies, Secrets, and Silence)